Author Topic: CORRECT: 2024 LITERATURE IN ENGLISH ANSWERS (DRAMA & POETRY) (Read 6082 times)

MANDINHO · « **on:** July 29, 2024, 06:42:39 am »

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MANDINHO · « **Reply #1 on:** July 29, 2024, 05:04:00 pm »

LITERATURE IN ENGLISH DRAMA & POETRY ANSWERS

INSTRUCTION: ANSWER ONE(1) QUESTION FROM EACH SECTION

SECTION A

(1)
In Wole Soyinka's play "The Lion and the Jewel", the theme of change is prominently depicted through the characters of Baroka and Lakunle.

Baroka, the traditional and aging lion, represents the old ways and customs of the village. He is resistant to change and wants to maintain the status quo, even if it means holding onto outdated and oppressive practices.

On the other hand, Lakunle, the young and educated schoolteacher, represents the force of change and modernity. He wants to bring progress and development to the village, but his methods are often clumsy and insensitive to the cultural heritage of the community.

Through these two characters, Soyinka highlights the tension between tradition and modernity, and the challenges of embracing change while still respecting the past. Baroka's refusal to adapt ultimately leads to his downfall, while Lakunle's inability to understand the cultural context of the village leads to his own failures.

The play suggests that change is inevitable, but it must be approached with sensitivity and respect for the past. It also highlights the importance of finding a balance between tradition and modernity, rather than trying to impose one over the other.

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(2)
Sidi and Sadiku, two female characters in Wole Soyinka's play "The Lion and the Jewel", share some similarities but also have distinct differences in their characters and roles.

Both women are strong-willed and independent, asserting their own agency in a patriarchal society, and have a deep understanding of their cultural heritage and traditions.

However, Sidi is young, beautiful, and vibrant, representing the vitality and energy of the village, while Sadiku is older, wiser, and more experienced, embodying the wisdom and tradition of the community. Sidi is more open to change and modernity, whereas Sadiku is more resistant to it, preferring to uphold traditional values.

Sidi's focus is more on her personal desires and aspirations, whereas Sadiku is concerned with the well-being and reputation of the community. Sidi's role is more central to the plot, as she is the object of desire for both Baroka and Lakunle, while Sadiku plays a supporting role, serving as a confidante and advisor to Sidi.

Overall, Sidi and Sadiku represent different aspects of femininity and cultural identity, with Sidi embodying youth, beauty, and modernity, and Sadiku representing wisdom, tradition, and community.

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(3)
The Poro cult in John K. Kargbo's novel "Let Me Die Alone" is a rich and complex element that weaves together cultural heritage, spirituality, and social dynamics. As a traditional institution, it represents a connection to the past and a sense of continuity with ancestral practices.

Through its rituals and initiations, the Poro cult shapes the lives of its members, imparting values of strength, leadership, and community. It also serves as a bulwark against the eroding influence of Western colonialism and Christianity, which threaten to disrupt the cultural fabric of the society.

As a symbol of cultural identity, the Poro cult is deeply intertwined with the protagonist's journey of self-discovery and growth. It represents a source of meaning, purpose, and belonging, and its significance resonates throughout the novel, illuminating the tensions between tradition and modernity, and the struggle to preserve cultural heritage in a rapidly changing world.

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(4)
In "Let Me Die Alone", John K. Kargbo crafts a tragic narrative that masterfully explores the devastating consequences of colonialism and cultural upheaval. The protagonist's heartbreaking descent into despair and isolation is a powerful indictment of the destructive forces that seek to erase traditional ways of life.

As the protagonist grapples with the disintegration of his cultural identity, Kargbo skillfully exposes the tragic flaws that ultimately lead to his downfall. The novel's somber tone and poignant prose evoke a sense of hopelessness, underscoring the irreparable damage inflicted upon individuals and communities by the relentless march of modernity.

Through this tragic tale, Kargbo raises essential questions about the human cost of progress and the importance of preserving cultural heritage. The novel's haunting beauty and emotional resonance linger long after the final page, leaving the reader to ponder the enduring impact of colonialism and the fragility of human existence.

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SECTION B

(5)
The title "Fences" in August Wilson's play is a poignant and multifaceted metaphor that permeates the narrative, characters, and themes. Fences represent the intricate web of emotional barriers, physical boundaries, and psychological defenses that characters construct to navigate their lives.

Troy's physical fence-building serves as a potent symbol of his emotional fortification, shielding him from vulnerability and intimacy. Conversely, Rose's nurturing and Cory's aspirations embody attempts to transcend the fences that separate them from others and themselves.

Through the lens of fences, Wilson masterfully explores the tensions between protection and confinement, safety and suffocation, and connection and isolation. The title "Fences" encapsulates the play's profound examination of human relationships, identity, and belonging, laying bare the complexities of characters struggling to find their place within themselves and their communities.

As a powerful symbol, fences evoke the painful legacies of racism, the fragility of human connection, and the resilience of the human spirit. Wilson's masterful use of the title "Fences" invites the audience to contemplate the fences they build in their own lives and the profound impact they have on their relationships and sense of self.

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(6)
The relationship between Troy Maxson and his family in August Wilson's Fences is complex and multifaceted, marked by both tender moments and intense conflicts. Troy's struggles with his own identity, past traumas, and societal pressures have a profound impact on his relationships with his loved ones.

Troy's wife, Rose, is the emotional anchor of the family, providing stability and nurturing. However, Troy's infidelity and emotional distance strain their relationship, causing Rose to feel unseen and unheard. Despite this, Rose remains devoted, illustrating the depth of her love and commitment.

Troy's relationship with his son, Cory, is particularly fraught. Troy's own failed dreams and sense of disappointment are projected onto Cory, leading to intense conflicts and unfulfilled expectations. Troy's inability to connect with Cory's aspirations and desires creates a sense of disconnection and tension.

Troy's relationship with his brother, Gabriel, is also significant. Gabriel's mental health struggles and Troy's sense of responsibility for him add another layer of complexity to their bond.

Throughout the play, Wilson masterfully explores the ways in which Troy's struggles with himself and his past affect his relationships with his family. Despite the challenges and conflicts, the Maxson family's love and resilience shine through, illustrating the power of family bonds to both hurt and heal.

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(7)
Allison's miscarriage in John Osborne's "Look Back in Anger" is a pivotal moment in the play, holding significant dramatic and thematic importance. The miscarriage serves as a symbol of lost innocence, disillusionment, and emotional numbness, highlighting the harsh realities of life and shattering Allison's illusions about her marriage and future.

The miscarriage also underscores Jimmy's irresponsibility and immaturity, as he fails to take responsibility for his actions, contributing to the strain on their relationship. Furthermore, it reflects the disappointment and disillusionment of the post-war generation, struggling to find meaning and purpose.

The miscarriage marks a turning point in the play, prompting Allison to leave Jimmy and symbolizing her rejection of his toxic behavior and desire for change. It also forces Jimmy to confront his own flaws and shortcomings, leading to a moment of introspection and self-awareness.

Through Allison's miscarriage, Osborne masterfully explores the complexities of relationships, the fragility of human emotions, and the struggle for identity and purpose in a changing world. The miscarriage is a powerful dramatic device that illuminates the characters' inner lives and the societal context in which they live.

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(
In John Osborne's "Look Back in Anger", the theme of identity is a dominant thread, particularly through the character of Jimmy Porter. Jimmy's struggle to define himself and find his place in the world is a powerful exploration of identity.

Identity Crisis: Jimmy's search for identity is marked by his rebellion against societal norms and expectations. He rejects the traditional values and conventions of the middle class, seeking to create his own path. However, this journey is fraught with uncertainty, anger, and disillusionment, highlighting the difficulties of finding one's place in a rapidly changing world.

Alienation and Disillusionment: The play explores the theme of alienation and disillusionment, particularly among the post-war generation. Jimmy's feelings of disconnection and discontent reflect the mood of a generation disillusioned with the promises of the past and uncertain about the future. This theme is echoed in the characters' struggles with relationships, work, and finding meaning in their lives.

These themes are intertwined, as Jimmy's identity crisis is deeply connected to his feelings of alienation and disillusionment. Through Jimmy's character, Osborne masterfully explores the complexities of identity, highlighting the tensions between individuality and conformity, and the struggles of finding one's place in a changing world.

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SECTION C

(9)
In Onu's poem "The Government Driver on his retirement", irony is employed as a literary device to convey the speaker's sentiments and critique societal norms. Here's a critical examination of the use of irony in the poem:

Irony is used to highlight the contrast between the driver's expectations and reality. He anticipates a comfortable retirement, but instead, he faces poverty and abandonment. This irony underscores the harsh treatment of retired government employees, who are often left to fend for themselves after years of service.

The poem also employs irony to expose the hypocrisy of the government's treatment of its employees. The driver is praised for his dedication and service, but when he retires, he is discarded like a used tool. This irony critiques the government's lack of accountability and care for its employees.

Furthermore, the poem uses irony to comment on the societal norms that prioritize material wealth over human life. The driver's retirement is marked by poverty and isolation, while those in power continue to accumulate wealth and privilege. This irony highlights the injustices of a system that values wealth over human dignity.

The use of irony in the poem also serves to underscore the speaker's emotions, conveying a sense of disappointment, frustration, and disillusionment. The irony creates a sense of tragic inevitability, emphasizing the speaker's powerlessness in the face of an uncaring system.

However, it can be argued that the use of irony in the poem is somewhat heavy-handed, with the speaker's emotions and critiques being explicitly stated rather than subtly suggested. Additionally, the irony may come across as overly simplistic, failing to capture the complexity of the issues being addressed.

Overall, the use of irony in "The Government Driver on his retirement" effectively highlights the speaker's sentiments and critiques societal norms, but may benefit from a more nuanced and subtle approach to convey the complexities of the issues being addressed.

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(10)
In Léopold Sédar Senghor's poem "Black Woman", the theme of nationalism is intricately woven throughout the verse, celebrating the beauty and richness of African culture and identity. Senghor employs nationalism to reclaim and revalue African heritage, challenging colonialist narratives that devalued black culture. He embodies the spirit of Negritude, a movement that sought to promote African identity and self-determination.

Through the poem, Senghor celebrates the beauty and strength of African women, often marginalized and overlooked in colonialist discourse. He connects the individual to the collective, emphasizing shared experiences and cultural roots. The poem expresses pride and belonging to the African nation, transcending colonial borders and artificial divisions.

Senghor's nationalism is not narrow or exclusionary, but rather inclusive and celebratory, embracing the diversity and richness of African cultures. He crafts a powerful tribute to African identity, challenging dominant narratives and paving the way for a more inclusive understanding of national belonging. The poem becomes a declaration of love and pride for the African continent and its people, asserting their worth and beauty in the face of colonialism and oppression.

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SECTION D

(11)
In John Donne's poem "The Good-Morrow", the poet persona's view of love undergoes a significant transformation across the three stanzas.

Initially, the speaker describes love as a childish, superficial infatuation, likening it to a "short pleasure" and a "short night" (stanza 1). Love is portrayed as fleeting and lacking depth.

However, in the second stanza, the speaker's tone shifts as they begin to contemplate the true nature of love. They describe love as a profound, all-encompassing force that transcends the physical realm, stating "our two souls...are one." Love is now seen as a unifying, almost spiritual connection.

In the final stanza, the speaker's view of love reaches its most mature and profound expression. Love is described as a journey of discovery, where "we'll make one little room, an everywhere." The speaker has come to understand love as a boundless, expansive force that encompasses all aspects of existence.

Through this progression, Donne masterfully explores the complexities and depths of love, revealing the poet persona's growth from a superficial understanding to a profound, almost mystical comprehension of love's true nature.

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(12)
In D.H. Lawrence's poem "BAT", the relationship between man and the bat is one of fascination, awe, and subtle introspection. The speaker describes the bat's nocturnal flight, its "dark, swift, little shape" and "leathery wings" with a sense of wonder, emphasizing the bat's mysterious and elusive nature.

The speaker's gaze is drawn to the bat's "bright, dark eyes" and " tiny, pointed face", conveying a sense of captivation and curiosity. The bat's ability to navigate and hunt in the dark, using echolocation, is portrayed as a remarkable and almost supernatural skill.

Through the bat, Lawrence explores the human desire to transcend the limitations of the self and connect with the unknown. The speaker seems to envy the bat's freedom and agility, its ability to inhabit the night and defy the constraints of human perception.

The poem also suggests a sense of kinship between man and bat, as both are creatures of the night, sharing a common space and experience. The speaker's observation of the bat becomes a form of self-reflection, inviting the reader to contemplate the human condition and our place within the natural world.

Ultimately, the relationship between man and bat in the poem is one of mutual fascination and respect, highlighting the beauty and mystery of the natural world and our place within it.

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Author Topic: CORRECT: 2024 LITERATURE IN ENGLISH ANSWERS (DRAMA & POETRY) (Read 6082 times)

MANDINHO

CORRECT: 2024 LITERATURE IN ENGLISH ANSWERS (DRAMA & POETRY)

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